It’s been a very busy few weeks for Idina Menzel! REDWOOD began previews at the Nederlander Theatre on January 24 and will officially open on February 13. (Get tickets here & don’t forget to use code FIRSTLOOK for specially-priced tickets.)
 
 
 
A couple of weeks ago she appeared on CBS Sunday Morning to discuss the show. You can watch the portion that aired, which also includes some footage from the show & rehearsal, here. There is also her extended interview- which is also worth a watch – here. I’ve also got a Redwood playlist on Youtube that includes her miscellaneous video interviews.

Idina also stopped by TODAY to perform “In The Leaves”:

 
While there, she spoke with Jenna and Kelsea Ballerini. Last week, she stopped by The Tonight Show Starring Jimmy Fallon. Idina also did a number of print interviews and new photoshoots!

The New York Times:

How does she square her considerable accomplishments with her persistent angst? “I’m getting a little tired of my self-deprecation,” she said. “In a way, it’s been a crutch. It’s a way of naming a shortcoming in my life before someone else can say it. But I also recognize that it makes me vulnerable, and that being vulnerable is so important to being a great performer and being able to connect with your audience. Making mistakes and being fallible are the things that draw people to you.”

Parade:

“When I played Maureen, I didn’t know all the stuff that comes along with the theater community and the politics and the awards. I had no idea about all of that because I was kind of preoccupied with wanting a record deal and writing my own music and wanting to be a rock star for a minute,” Menzel explains. “Maureen was just full of all of that levity and abandonment and rebelliousness and my humorous side and my sexy side. Then unfortunately, like I said, [as] you become more and more known, you start to go inward and become a little bit more fearful.”

“Being here [at the Nederlander],” she says, “I miss her, and it’s wonderful because I am trying to channel that again.”“was an extraordinary experience for me,” she says, from her dressing room at the Nederlander (the same dressing room she used 29 years ago in Rent). “Getting to feel a real connection to the world in a very different way. It felt like being in a sanctuary. There’s a unique silence there and you feel like a pea. You feel so small but in the best way. It’s humbling and freeing.”

Playbill:

[Climbing a redwood] “was an extraordinary experience for me,” she says, from her dressing room at the Nederlander (the same dressing room she used 29 years ago in Rent). “Getting to feel a real connection to the world in a very different way. It felt like being in a sanctuary. There’s a unique silence there and you feel like a pea. You feel so small but in the best way. It’s humbling and freeing.”

Vanity Fair:

The show is Menzel’s first time working with an all-female creative team. “It’s a relief to be able to support each other in being extremely powerful, speaking our minds, and not having to apologize for that, while also being very sensitive and empathetic individuals who look out for each other.”